There are many incredible women who have, and are still dominating the world of gardening, so for International Women’s Day we’ve listed some of the key, female garden designers in British history that still influence the way we garden today, alongside some of the top women garden designers who are currently succeeding in the industry. Read our piece on the key dates of women in gardening.
You may also like
- Meet Marc O’Neill, a former clothes designer and now a gardener
- 10 of the best gardening books from Penelope Hobhouse
- Roses from Sissinghurst Castle: 15 of the best
19th century female gardeners
From the middle of the 19th century, it is largely women who have shaped the way we think about gardens.
Gertrude Jekyll (1843-1932)
No garden designer has had more enduring influence on the British garden: for a century her painterly way of grouping plants in large, informal masses of colour; her insistence on harmony and rhythm; and her embrace of formal structure softened with loose, richly textured planting, has been the sine qua non of the successful British garden. Gardens were considered a series of carefully made pictures; and only really in the last decade has colour been supplanted as the guiding principle of design.
Margery Fish (1892-1969)
Our current fascination for perennials, and especially our continuing love-affair with the cottage garden, can be traced back to Margery Fish, whose approachable, funny and commonsensical books championed a more simple and informal planting style. She was an early fan of silver foliage, and introduced the concept of ground cover as a labour-saving device. Read more about her snowdrop collection at East Lambrook Manor.
Brenda Colvin (1897-1981)
In 1947, Brenda published Land and Landscape – an influential work on landscape in the 20th century, reflecting her commitment to an ecological approach and to simple planting. While loving her own garden, Little Peacocks, Brenda famously rejected private garden design as too subject to the whims and fancies of owners, turning to more durable projects such as power stations, reservoirs and town planning.
Norah Lindsay (1866-1948)
A major influence in the interwar years, Norah developed a rich, romantic, ‘untidy’ style that encouraged serendipity and self-seeding, wonderfully realised at her garden at Sutton Courtenay. In the 1920s, penniless but well connected, she began a glittering career as a High Society garden designer. Today she is best known for her long collaboration with Lawrence Johnston at Hidcote.
Phyllis Reiss (1886-1961)
When Phyllis Reiss moved to Tintinhull in 1933, she set about creating a garden of rooms within the Hamstone walls: tranquil enclosures unified by repeated plantings of silver, bronze and burgundy foliage and rhythmic topiary. Her unfussy elegance and year-round planting was to influence designers from Lanning Roper to Sylvia Crowe, and not least her successor at Tintinhull, Penelope Hobhouse.
Vita Sackville-West (1892-1962)
Vita would have insisted it was her husband, Harold Nicolson, who was the designer at now iconic Sissinghurst Castle – certainly in terms of its ground plan of rooms. But her exuberant, multi-layered planting style and her colour-themed gardens, especially her celebrated White Garden, have probably spawned more imitators in more countries than any designer, before or since.
Sylvia Crowe (1901-1997)
Sylvia Crowe was the pre-eminent landscape architect in post-war Britain and the author of a host of standard texts on landscaping, design and forestry. Her Garden Design (1958) is cited by many designers as a seminal text. Sylvia worked on Harlow and Basildon new towns, created Rutland Water, merged hated power stations and commercial forestry into the landscape – but never entirely abandoned gardens.
Rosemary Verey (1918-2001)
Rosemary came to epitomise Country House style, at its zenith in the 1980s, which she marketed with particular success in USA – all yew hedges, knots, fulsome pastel borders, discreet classical statuary and immaculate maintenance. She had a gift for striking set pieces – her laburnum tunnel and above all her supremely photogenic potager, inspired by Villandry, were copied the world over.
Key women garden designers working in Britain and beyond today
Mother of four, Rosemary Alexander was given six months to prove herself when she began work in the 1970s as the only female trainee in a London firm of landscape architects. But she confounded expectations by lasting the course, and went on to rise to prominence as a teacher, writer and designer. For 11 years she was tenant of the National Trust’s Stoneacre in Kent, where she transformed the gardens. Since 2000 she has made a new garden in Hampshire.
Lady Arabella Lennox-Boyd
Born in Rome, Arabella Lennox-Boyd spent seven years studying landscape architecture in London. In an international career spanning four decades, she has won six Chelsea Golds and created over 450 gardens, from sleek city rooftops to landscape parks and Italian palace gardens. “I’m in love with plants,” she declares. “And because I’m Italian, I’m in love with design, so I can only feel comfortable if the space is right.”
Following a first career as a psychotherapist, and a stint with Dan Pearson, self-taught Jinny Blom set up as a garden designer in 2000. Her best advice to women starting out? “Running a small business is hard work. Your family and friendships will suffer, your free time will evaporate and you will be, largely speaking, overstretched and underappreciated. But if you feel that’s the life for you, then go ahead.”
At 38, Penelope Hobhouse was turned down by the landscape architecture course at Leeds, on the grounds that she was too old to make a meaningful career. Crestfallen, she went home and wrote a book – the first of many that were to provide inspiration to gardeners. In 1980 she took on the National Trust garden at Tintinhull in Somerset, which proved a stepping stone to a stellar international career in garden design.
After struggling to make a living as an artist, Sarah Price retrained as a garden designer. Working on the Olympic Park, youth was more an issue than gender. “As a young woman designer, I was treated with a great deal more respect on the Olympic project than on many less high-profile jobs. It almost seems, the less professional the environment, the more prejudice you have to overcome.”
Garden designer and BBC TV presenter Arit Anderson started out in the world of fashion, but her career in garden design was kick started after she won the RHS Chelsea Fresh Talent Award in 2013. She studied at Capel Manor and set up Diamond Hill garden design, which focuses on London and the surrounding counties.
Since she won the RHS Young Designer of the year in 2017, designer Ula Maria has not looked back, and she now has a gold medal and an RHS Silver-gilt medal to add to her original accolade. Having grown up in rural Lithuania she has a particular connection with nature and emotive, sensory experiences in her gardens.
Brita von Schoenaich
In 1994, German-born Brita von Schoenaich introduced Britain to German naturalistic planting at a symposium at Kew. Von Schoenaich focuses on details in her gardens and she worked on Marks Hall Aboretum, creating a three-acre lakeside garden to complement and contrast with the wider estate. She studied at Royal Botanic Gardens Kew before taking a postgraduate course in landscape design and now works alongside Christopher Bradley-Hole.
The garden above, which overlooks the San Franciscan Bay, is a study in simple block planting and bold architectural design from Andrea Cochran, an American designer with over 30 years worth of experience creating private and public gardens. Her influences include Dan Kiley, Garrett Eckbo and James Rose and she works on everything to community housing projects to museum courtyard gardens.
A trailblazer for women starting out on their careers, Sarah Eberle is one of this country’s most important garden designers. She looks to landscapes and architecture, rather than gardens, for ideas and often finds herself visiting scrap yards and quarries because both hold so much potential for creating something new. “I love brutal landscapes, such as deserts and volcanic areas, where nature shows such strength and personality.”
The head gardener of Tokachi Millennium Forest, Midori Shintani maintains and manages the brainchild of entrepreneur Mitsushige Hayashi, a space that was created by Fumiako Takano in collaboration with Dan Pearson. “This garden is a bridge between humans and nature. We use minimum tools, minimum management, but maximum vision. We have a mission to introduce a new garden movement. The potential is exciting,” she said.
The designer began her career at Clifton Nurseries in London and has since worked on projects including an urban planning project in Northamptonshire and a large private estate in Yorkshire. In 2013 she won a Gold Medal for the East Village Show Garden at the centenary of the RHS Chelsea Flower Show. Her great-grandfather created the gardens at Exbury, of which she is now a trustee.
An initial career in the medical profession meant that Juliet Sargeant learnt quickly how important the natural world can be for healing. Juliet won a Gold Medal and the People’s Choice Prize for her 2016 Chelsea Flower Show garden, the Modern Slavery Garden, which was the show’s first ever social campaign garden. She is on the panel for show garden selection at Chelsea and was made a fellow of the Society of Garden Designers in 2017 for her contribution to garden design & horticulture
Charlotte Harris is returning to Chelsea this year with her working partner Hugo Bugg to create a garden in response to the statistic that in 30 years a third of the world’s population will live in cities. Charlotte’s work over the years has included several show gardens at Chelsea as well as the Clumber Park pleasure grounds and, with Hugo, she aims to create durable, sustainable landscapes. Read more about their 2020 RHS show garden here.
Along with her husband Julian, Isabel Bannerman has been designing gardens and gardens for over 30 years. Together they’ve won gold at the RHS Chelsea Flower Show and their book Landscape of Dreams, documents the projects they have taken on – from unloved, unknown houses to projects from HRH the Prince of Wales at Highgrove, Paul Getty and Waddesdon Manor.