T. ‘Royal Sovereign’ (1809) and T. ‘Dom Pedro’ (1911)

Rare tulips grown by Arne Maynard

In the 17th century these rare and exquisite tulips sent a nation near crazy with ‘tulip mania’. Here are the tulips which have delighted designer Arne Maynard . Words Arne Maynard, photographs Andrew Montgomery

My passion for these rare, historic tulips began when I started to grow Tulipa ‘The Lizard’ in the courtyard garden at my home Allt-y-bela, just by the front door. It’s a special moment when they appear in May, and they have multiplied, happy in the gritty conditions created to counteract the wet Welsh weather. Guests cannot pass without commenting. They are exquisite curiosities, and led me to seek out more rarities, my criteria being personal taste rather than any specific category of tulip.

Advertisement
T. ‘Columbine’ (1920)
T. ‘Columbine’ (1920)
© Andrew Montgomery

We gave over a section of our kitchen garden to trialling rows of Broken and Breeder tulips, which came up, like a perfect sweet shop. It was my ultimate pleasure to harvest them for the house and arrange them in the fashion of 17th-century Dutch floral still lifes. To catch a glimpse of these beautiful tulips through a door or window, is a heart-stopping way to travel through time.

T. ‘Royal Sovereign’ (1809) and T. ‘Dom Pedro’ (1911)
T. ‘Royal Sovereign’ (1809) and T. ‘Dom Pedro’ (1911)
© Andrew Montgomery

Broken or rectified tulips date back to the 17th century, when these flamed and feathered tulips changed hands for incredible prices across the Netherlands, leading to the ‘tulip mania’ that caused a speculative economic bubble in the 1630s. Today we know that the feathering is caused by a tulip breaking virus, but at the time it must have seemed like some kind of alchemy when the blooms began to show fine, contrasting flushes and tinged edges.

Today some of the most perfect examples of these tulips are grown by members of the Wakefield and North of England Tulip Society. Their tulips aren’t for sale, but in the true tradition of English Florists’ Societies, members cultivate and share bulbs among themselves. Some have been given to Hortus Bulborum in the Netherlands, which has increased stocks sufficiently to enable a few companies to offer a limited number for sale. It’s these commercially produced ones I have grown, and although they’d never make the standards of the Society’s show bench, they are still glorious and timeless beauties. See below for more examples. 

T. ‘Absalon’ (1780), T. ‘Insulinde’ (1914), T. ‘Gloria Nigrorum’ (1837)

T. ‘Absalon’ (1780), T. ‘Insulinde’ (1914), T. ‘Gloria Nigrorum’ (1837)
T. ‘Absalon’ (1780), T. ‘Insulinde’ (1914), T. ‘Gloria Nigrorum’ (1837)
© Andrew Montgomery

T. ‘Absalon’ (furthest left) is moody with swirls of mahogany over a barely glimpsed yellow base, whereas T. ‘Insulinde’ (centre) is soft and marbled with grape. T. ‘Gloria Nigrorum’ (back, top left) is strikingly etched at the edges and marked with a central rib in the darkest of violets over ivory.

T. ‘Bridesmaid’ (1900)

T. ‘Bridesmaid’ (1900)
T. ‘Bridesmaid’ (1900)
© Andrew Montgomery

I love the elegance of the long, slender T. ‘Bridesmaid’ (also known as T. ‘Maid of Holland’). With fine, cherry-red feathering over white, it has a restraint and sophistication, more like an elegant, tailored suit than an attention-grabbing party outfit.

T. ‘Columbine’ (1920)

T. ‘Columbine’ (1920)
T. ‘Columbine’ (1920)
© Andrew Montgomery

The markings of my T. ‘Columbine’ varied in their strength, but were consistent in their exquisite, imperial purple beauty. They open out like a cup to reveal black (pollen-bearing) anthers, striking in their contrast to the white ground.

T. ‘Royal Sovereign’ (1809) and T. ‘Dom Pedro’ (1911)

T. ‘Royal Sovereign’ (1809) and T. ‘Dom Pedro’ (1911)
T. ‘Royal Sovereign’ (1809) and T. ‘Dom Pedro’ (1911)
© Andrew Montgomery

For sheer exhilarating extravagance, T. ‘Royal Sovereign’ with its fine, feathered edges is hard to beat. The mahogany red on a golden yellow ground is tempered here by the pairing with the wonderful solid velvety red-brown of T. ‘Dom Pedro’.

T. ‘The Lizard’ (1903)

T. ‘The Lizard’ (1903)
T. ‘The Lizard’ (1903)
© Andrew Montgomery

Like the rich end papers of a treasured old book, T. ‘The Lizard’ is a ravishing, swirling mix of deep lilac and dark reddish rose on a creamy yellow and white base. A particular favourite of mine, I eagerly await its return every May.

T. ‘Mabel’ (1836)

T. ‘Mabel’ (1836)
T. ‘Mabel’ (1836)
© Andrew Montgomery

The clarity of the extraordinary, finely flamed and sometimes feathered deep-rose markings on a clear white ground give T. ‘Mabel’ the graphic qualities reminiscent of many of the tulips in the Dutch Master paintings.

T. ‘Mrs Harold I Pratt’ (1926), T. ‘Lord Stanley’ (1880), T. ‘Prince of Wales’ (1863), T. ‘Mahogany King’ (1905) and T. ‘La Joyeuse’ (1863)

T. ‘Mrs Harold I Pratt’ (1926), T. ‘Lord Stanley’ (1880), T. ‘Prince of Wales’ (1863), T. ‘Mahogany King’ (1905) and T. ‘La Joyeuse’ (1863)
T. ‘Mrs Harold I Pratt’ (1926), T. ‘Lord Stanley’ (1880), T. ‘Prince of Wales’ (1863), T. ‘Mahogany King’ (1905) and T. ‘La Joyeuse’ (1863)
© Andrew Montgomery

These rare and subtle ‘Breeder’ tulips shown together, really demonstrate their pedigree – nothing garish, but a wonderful depth of colour. Middle top: the pale Rose Madder T. ‘Mrs Harold I Pratt’; centre: the dark- red T. ‘Lord Stanley’; from bottom left to top left: dark, purple-brown T. ’Prince of Wales’, reddish brown T. ‘Mahogany King’ and lilac pink, pale at the edges T.‘La Joyeuse’.

Cultivation

1

Lift tulips after foliage has died down

Because of  our damp summers, it is recommended that tulips are lifted and replanted in autumn.

2

Well drained soil

Make sure the soil is well-drained and bulbs planted 10-15cm deep

Advertisement
3

Moisture and heat

In the wild, most tulips grow in mountainous areas where the melting snow provides plentiful moisture in spring, followed by several months of baking at high temperatures, which gives some indication of the conditions tulips need.

Suppliers